No.
Hey!
Where's Howard and the rest of the apprentices?
We left them at the bottom to find their own way up!
They got to learn sometime.
lf you want to be a troubleshooter, you got to know the mine.
ls it all clear down there?
Yeah, we won't need these anymore,
but l wouldn't go lighting any matches.
Damn methane.
lt's going to blow this place to shit one of these days.
We ain't that lucky.
Whoo, hey, come on, now. Knock it off.
Howard!
Hey, Howard!
Hey! Enjoy your walk up?
Yeah, real joke. Why didn't you guys wait?
Look, Landers, you got to get a lot of exercise if you're going to grapple with Gretchen.
Oh, yeah? Well, l got a Valentine for her that she's never going to forget.
Right to the heart, huh?
lt's going to be a hot time on Saturday night!
Yee-haw!
Hey, Stavinski, you do anything else with that except throw it over your shoulder and burp it?
Aw, get lost, Axel.
Oh, bunch of clowns. Things haven't changed a bit. Same as always.
Bet you wish you never came back.
Especially now since Sarah's going out with Axel.
No skin off my nose.
l don't give a damn.
Come on, last one into town gets the brew.
Let's go.
Okay.
Let's go, guys! Whoo-ha!
Quitting time! Casanova is here!
Yee-haw!
Gretchen, it's me.
Howard, stay away from me.
Hi, babe.
- How are you? - l'm fine.
- Good to see you. - Nice to see you too.
Hi, sweetie.
You big brute, l missed you.
Anything l should know?
No. Of course not.
Gretchen, l want you to be my date for the dance. Will you?
Dry up.
Gretchen, you know what would look really good on you?
- What? - Me.
Suck it in and zip it up, will you?
Gretchen, why fight it?
Oof.
Let the good times roll.
All right!
Hi, fellas.
Mabel, this is the best thing that's happened to this town in years.
Your decorating committee has done one hell of a job.
Well, after all,
the first Valentine's dance in 20 years
has to be something special.
Uh, yeah, well, uh,
of course, you're right, Mabel, but l think we'd all be better off
if you played down the fact
that it's the first Valentine's dance in 20 years,
if you know what l mean.
Let's just concentrate on having a good time Saturday night
and put all that other business to rest.
My thoughts exactly, Mayor.
Hi, guy.
Oh, come on, you clowns!
Help Miss Osborne pick those things up.
What the hell are you kids doing in here?
You're supposed to be decorating the room,
not each other.
Where you going, son?
Where l always go this time of day--
for another beer and a real good nose pick.
Ooh! l'm sorry, TJ.
l don't think he likes being back in the mine very much.
Well, that's too bad.
Nobody told him to go out to the West Coast.
lt's not my fault he couldn't make it on his own.
But now that he's back here,
he's my son and he's working in the mine.
You guys better put those things back where you found them,
or l'll turn you both upside down. Especially you.
This is my date, Chief.
Chief, that meeting in Centerville is at 7:00.
Maybe we should hit the road.
Then let's go. l'll see you kids later. Bye, Mabel.
- Keep up the good work. - See you, Chief.
l might as well go too.
All of this will have to be rewashed.
l'm really sorry, Mabel.
This is station QPlD, 940 on your radio dial...
Oh.
Mayor!
Mayor?
Mayor, somebody left this for you.
For me? Who was it?
l don't know. lt was already inside when we got here.
Maybe you got a secret admirer, huh?
You in on this, Mabel?
l'm afraid not, Mayor.
Oh, no.
No no. Don't look at me.
l didn't have a thing to do with it.
Oh, well, hell,
l've been looking for an excuse
to get off this miserable diet Mrs. Hanniger has me on.
Thanks, Howard.
Lf there's one thing l like better
than Christmas candy, it's Valentine's candy.
Have some.
Hey...
who sent it?
''From the heart comes a warning
filled with bloody good cheer--
remember what happened
as the 14th draws near.''
lt can't be happening again.
lt's a bad time,
this time of year.
Bad things coming.
My words, you hear.
Beware the 14th...
- ...if you value your life. - Here we go again.
How many times is he going to tell this story?
Oh, let him tell it. l love fairy tales.
This ain't no fairy tale, little girl.
lf you don't take it seriously,
you're a fool.
Ohh!
Hurt yourself?
Axel, are you okay?
Oh, no. Let me see.
l know what l'm talking about.
l'm telling you now,
this town is a-cursed.
Now it started 20 years ago.
lt was the night of the Valentine's Day dance
at the Union Hall--
the biggest event of the year.
lt had been a tradition for over 100 years.
Everybody was there, except for seven miners
who were out at the Henniger Mine,
five of them still down below.
Two supervisors were waiting for the men to come up.
Anxious to get to the party,
they left before the men were safely out
failing to check the methane gas levels
in the tunnels down below.
The five men were buried alive
as the town continued its party.
For six weeks, we dug around the clock
to try to save them.
After we broke through,
one man was found alive.
l was the one who found him.
Harry Warden spent the next year in the state mental hospital.
Exactly one year later,
on Valentine's Day,
he came back to town.
He killed the two supervisors
who had left their posts the year before.
Then he cut out their hearts
and stuffed them into heart-shaped candy boxes.
That night at the dance we found the boxes,
blood dripping out the sides.
lnside was a note--
a warning from Harry
never to hold a Valentine's dance
ever again.
Every February 14,
Harry comes back to town,
his pickax stained with blood,
waiting in the shadows of the Henniger Mine...
just for someone to kill
should they not heed his warning.
lt could be you.
l know what l'm saying.
You forget about having a party at all on Saturday night,
or you may not live to see daylight.
Laugh now...
but you'll be sorry you didn't listen to me.
Uh-oh.
Come on, Hap, lighten up.
lt's a stupid legend.
lt gives me the creeps.
Hi, you guys. Who ordered the Moosehead?
l did, you gorgeous slab of female fleshiness.
l hate that song.
l mean, it's, like, uh--
hey, where you going?
l just want to put on some music, okay?
Be my guest.
Excuse me.
lt's your own fault. You know that, don't you, TJ?
Never said it wasn't.
Then why can't you just accept things the way they are?
Maybe because l don't like the way things are.
Excuse me.
Yes, all right.
Thank you. Thank you very much.
l have to call in the morning.
The administration office is closed at night.
The nurse that's on duty doesn't know a thing.
Well, she's got to know whether he's there or not.
l just hope this is some kind of joke
and the kids are just trying to scare the hell out of us.
lf it is a joke, l want every one of those kids strung up,
starting with that damn Howard Landers!
Well, it's a human heart, all right.
A young woman, about 30 years old.
What the hell are you guys doing with a loose heart?
Looks like a butcher ripped this thing out.
What's going on over in Valentine Bluffs?
You remember Harry Warden?
God, of course l remember.
Those were terrible murders.
God, l thought they locked him up in Easftield
20 years ago.
They did.
Are you sure he's still there?
We'll find out in the morning. l'm checking on it.
Well, gentlemen,
l'd say you have your answer.
lt looks like Harry Warden's back in town.
Well, now,
l wonder who sent this?
Jake?
Ohh.
''Roses are red, violets are blue...
...one is dead,
...and so are you''?
No!
No! Get away! Get away!
Get away!
No! No!
Get away! No! No!
No! No!
Hey, this is getting really good.
Don't put your nose in it.
Hey, this is what l really call junk food.
How much longer, Hollis? l'm freezing.
Hey, relax. This thing ain't no microwave.
Hey, how about revving it up?
Man, have l got the munchies.
Yeah, me, too. A little protein patrol, hey, boys?
Don't go poking my meat.
lt's hardly cooked.
Don't go sticking your nose in the food.
Lt's his. He can do what he wants with it.
ls that turkey, Hollis? l asked for roast beef.
Turkey for the turkey.
Here.
Come on, shove over.
Sure is cold tonight.
Yeah.
Well, l guess we got ourselves a problem, huh?
Yeah.
Yeah, l guess so.
What are we going to do about it?
Well, there ain't nothing to do about it.
Sarah's going with me now
and that's all there is to it.
l ain't going to back off for you, TJ.
Nobody asked you to go away, TJ.
Come on, Axel, don't give me any of that horseshit.
l mean, you're beginning to sound like my old man.
Too bad, man.
Look, you left. You left.
You went away, and we didn't know where you were
or-- or when the hell you were coming back.
l ain't going to back off for you, TJ.
You stay the hell away from Sarah.
All right, all right.
You want a fight, then you got it.
Because you and l both know who Sarah wants.
You were kind of hard on him, Teege.
You can't exactly blame him.
Sure, it's not his fault. lt's nobody's fault.
l don't know what to do.
You know, l really do like that son of a bitch.
Hey, remember--
remember how we used to tear this place apart?
Eh? Get drunk, race out to the bluffs?
That was great.
l guess things change, huh?
Nothing stays the same.
W-A-R-D-E-N.
Harry Warden. He was committed under court order
approximately 20 years ago.
Well, l'm afraid l have no records
of a Harry Warden, past or present.
But how can that be? He was committed there
under court order.
l'm sorry. l have no records on him.
Look, in 20 years, any number of things could have happened.
Now if this Harry Warden was committed, as you say,
then he's simply no longer here.
And if l have no records on him,
l have to assume that he's transferred, he's released,
or he's on the slab. One of three, take your pick.
One out of three?
Now look, Mrs. Raleigh, you're going to have to do
a little bit better than that.
Now l have to know what happened to this man
and l have to know what happened to him now.
Now have you checked everything?
Everything...
except the microfilms over in central file,
and it will take several days to check that.
Look, l need answers and l need them fast.
l'll be waiting for your call.
Dr. Peyton, 3-5-3.
Jumping J--
they don't even know what the hell happened to him.
Well, w-what do we need to know?
lt's got to be Harry.
Maybe we ought to cancel the dance.
Just decide which one you really want.
And now for the big moment--
will it be number one, or will it be number two?
Patty, will you be serious?
This is important.
You can't have them both, you know.
- l don't want them both. - Oh, no?
No.
Just what l thought.
Oh, l don't know. TJ won't talk to me.
He just sulks all day long.
He ends up making me feel guilty,
when he's the one who owes me the apology.
And Axel is not behaving any better.
Oh, Patty, l don't even want to go to the dance on Saturday night.
Oh, but you got to go.
lt'll be all right. Just stay with Hollis and me.
Besides, you got to see the dress l got--
cut down to here, slit up to there.
l may not get out alive.
Mabel?
Mabel, l got to talk to you.
We got a problem concerning the dance.
Mabel!
Mabel, you back here?
Okay. Little John?
l want you and Mike to check the wall.
TJ,
take care of the sump.
You get a pump down there, or l ain't doing it.
You do it or you get your ass out of here for good.
l'll do it.
What's bugging him today?
Son of a bitch is after my ass
because of Sarah.
lf he keeps it up, l'm going to nail him.
l said move it, Hanniger!
Oh, yeah. Come on, man.
Anytime, loser.
Hey, that's it! Break it up, you two!
TJ, you get your ass up top to crew 17.
Go!
There ain't going to be no fighting in my section, Palmer!
Understand?
What an awful smell.
This is like it was 20 years ago.
l can remember those murders just like it was yesterday.
Jake, you got to get help from Granville.
No, not yet.
lf we call in Granville, we'll have police crawling all over this place
and we'll have a hell of a panic on our hands.
You just mention that Harry's back
and this town won't be worth the powder to blow it to hell.
Uh, just a minute. Just a minute, boys.
Uh...
l want you to bring the ambulance around back.
Load her up from there.
l don't want anybody in town seeing this.
You remember--
Mabel Osborne died of a heart attack
and that's all.
You breathe one word of this to anybody
and you'll have to answer to me.
Wait a minute. What's this?
Take her away.
''lt happened once,
it happened twice.
Cancel the dance or it'll happen thrice.''
Oh, well,
th-th-that's it.
The dance is canceled.
Let's tear every poster, every banner,
every decoration down and-- and out of sight.
l don't want to see a single Valentine's heart anywhere.
As long as this town is decorated to the hilt,
Harry's going to keep on killing.
And-- and get that damn Union Hall locked up.
All right. All right, Mayor.
No, l'm sorry. There's nothing l can do about it.
Hey, what's going on?
The mayor has canceled the dance
and that's all there is to it.
Well, in the light of Mabel's death, he had no choice.
There'll be no parties, either.
We owe her that much respect.
Mabel would've wanted us to have the dance.
l mean, she worked so hard on it.
Yeah, you can't cancel it now.
He's just looking for an excuse to cancel the dance.
That's the way it is.
They'll be no dance tomorrow night
and no parties, either. Do you understand me?
Hanniger!
You and me have something to settle!
You bet we do.
Howard, you got to chew it.
You don't blow bubbles with it.
l'll take care of myself.
How'd you ever get to be so stupid?
l'm going to shower.
TJ, will you stop this? l don't want to go with you.
Are you listening to me?
Nope.
Remember this spot?
Of course l remember this spot.
Why didn't you write me, TJ?
Why didn't you call?
l wanted to, believe me,
but l couldn't.
l mean, l really fell on my ass out there.
l made so many mistakes.
But l learned something.
Look...
give me a chance.
lf you still want me to go away, l will.
But l have to tell you that l love you and l want you back.
How was l supposed to know that, Jessie?
l honestly didn't think you were ever coming back.
You just left me here.
Sarah, please.
l'm sorry.
l'm so damn sorry.
Have you seen Sarah?
Ain't my turn to watch after her.
Damn it, Sarah, why do you do this to yourself?
How am l going to tell Axel?
Sarah!
Chief Newby.
l'm sorry l startled you.
lt's all right.
ls something the matter?
No, l'm--
l'm just making my nightly patrol.
Right.
Good night, Chief.
Oh, good night, Sarah.
Give me a beer, Hap.
You hear about Mabel Osborne?
She got it just the way l said.
Heart attack, my ass.
Well, if we aren't going to have a Valentine's dance,
what are we going to do?
Why don't we have a Valentine party?
Yeah, a party!
Where? Newby's got this whole town locked up, bright guy.
How about my father's mine, huh?
- TJ, are you crazy? Come on. - The mine!
ln the mine?
That'd be great.
lt would. What a blast.
Ln the mine? That's exactly what it would be.
Oh, it'd be great!
Come on, Hollis. We've got everything we need down there.
We got, uh, let's see, we got a rec room.
We got a pool table. Everything.
Yeah, in the mine... where people get killed and eaten.
Beware of Harry Warden.
Whooo!
Shut the fuck up.
Beware of what you make fun of, you little asshole.
- Who? - You.
Forget about having a party at all tomorrow night
or you'll be sorry.
Hey, lighten up, Hap.
Piss on Harry Warden and that damn old legend.
We're gonna have ourselves a party.
Don't you go telling nobody.
Don't say l didn't warn you.
That settles it then.
We're going to the mine and we're going to have ourselves a party.
Assholes.
Damn kids. l'll show them.
Piss on Harry Warden, will they?
Well, l'll give them a scare they'll never forget.
Ah.
Hey, it's party time.
Where are the wieners?
Hey, Hollis, here's the wieners!
Hi, Ben. Anything happen?
No, it's been quiet all evening.
Good.
That came for you though.
Oh, my God.
Go and get me a coffee, will you, Ben?
Yeah, sure, Chief.
Mabel.
Yooo! Does anybody want a beer?
Eat you up. Mmm!
Whoo!
Hollis, check this out.
You asshole!
Hey, who busted the lock?
- l got the keys right here. - Howard did.
Uh-oh. - Howard.
Harry Warden did it.
And whoever parked the red Volkswagen out front,
l want it parked out back with the others like l said.
l don't want Newby snooping around here.
Let me show you.
- Hey, hold it. - Whoa.
Hey, John, where you going?
Sylvia's gonna get it tonight.
Talk to you in a minute, okay?
So you're looking pretty good, baby face.
What's the occasion?
l figured it'll get Newby off my back.
Besides, l want to get out of this town pretty quick.
You know, l think he really likes you.
l've got the munchies.
Hot dogs.
Here, Spot.
Hey, what's going on? Who is that?
l, uh, l got a feeling about the mine, Ben.
l'll-- l'll check back with you, all right?
Make sure you call me on the radio if anything comes up.
Will do.
Now what the hell is that?
Go on!
Go on, get the hell out of here.
"You didn't stop the party."
Stop the party?
What damn party?
Stavinski, you couldn't clean that table with a broom.
Hollis, you don't even know what pool means.
Hey, guys, check this out. Check this out.
Gretchen, this is for you.
Oh, wow.
First time l try to snort Coke, man, and l almost drown.
Next time, try harder.
- Axel, please. - Oh, come on.
- Axel, please don't. - What's the matter, baby?
- Axel, please don't. - Oh, come on!
Will you please stop it?
Guess you better back off there, Axel.
Back the fuck off, man.
We were doing just fine until you decided to come crawling home.
Well, in case you haven't noticed, things have changed around here.
She don't want nothing to do with you.
Do you mind? l have my own mouth, thank you.
Then why don't you use it? Tell him.
Tell me what?
She wants to come back with me.
Bullshit, man.
Why don't you both just back off?
You're acting like a couple of jerks.
Oh, well, you just love it, don't you?
That's it!
You son of a bitch!
Hollis, do something.
Hollis!
Let go.
Shit! Will you guys knock it off?
TJ, are you out of shape.
Get out of here!
Are you sure you're okay?
Look, l'm sorry. l didn't mean for that to happen.
TJ, please stop it.
l just don't care anymore.
Just leave me alone.
Okay, listen. l showed you how to do it
with the right nostril, right?
Now you take the straw and you put it up the neck,
the left nostril, right? And you snort it.
Come on, loosen up. Let's have fun.
We're at a Valentine's party, for God's sake.
l got a little punchy myself.
How do you get those down?
- Pull the rope. - Just pull it?
Yeah yeah. Release the hook and let it go.
You know what we need?
Yeah, l got one right here.
No, l meant a couple of beers.
Oh. l'll go get them.
l'll go with you.
No, you stay here and l'll be back in a flash.
Okay?
Okay, but don't take too long.
Back in a minute.
Okay. Bye.
Bye.
Hey, TJ.
Hey, John, how you doing?
l'm doing great. ls something the matter?
The same old shit.
Well, Howard really makes me gag.
You're not kidding.
lf anyone, l kinda like Tommy.
Oh, l agree.
- Hi, John. - Hi, girls.
Yuck, what is this?
Oh, wow. One of those idiots really thinks he's funny.
lt's probably Howard.
John, is that you?
John?
John, if you're trying to scare me, you're doing a good job.
John?
Oh!
No! No! No!
Help! Help!
Oh no!
No!
Oh no!
Oh!
Sorry l took so long, babe.
Sylvia?
Sylvia!
All right.
Hey, all right. All right.
Sylvia, l know you're in there.
And l'm coming in.
Sylvia.
Come in, Mobile One.
Mobile One, in.
Jake, you just got a call from Easftield.
A woman named Raleigh. She said it was urgent.
All right. Mobile One, coming in.
Hey, how about a little trip down to the mine?
- The mine? - Yeah, it'll be great. Come on.
lt's supposed to be like a roller coaster, isn't it?
lt's 2,000 feet down.
That's okay. lt'll cheer her up anyway. Come on, Hollis.
Come on, Mike, let's go.
What? Hey, Hollis, you going down to the mine?
- Well-- - Yes. Yes.
Come on. Come on, Hollis.
- Chicken. - Chicken?
Hey, why don't we go down to the mine?
All right. One quick ride down and then right back up.
- Hey, what about gear? - Yeah, get that six-pack.
lt's going to be great, baby!
Ow!
Watch your step. Come on.
- This is ridiculous. - This is gonna be great.
Hollis!
Where do you think you're going?
We're just going to go for a quick ride
and come right back up. Believe me.
You can't take them down there.
You know the rule. No women in the mine.
We're gonna come right back up again. Believe me.
- Come on. - Watch your step.
Howard, don't be a pain in the ass.
Pain in the ass? What pain in the ass?
Be careful. Be careful.
Down we go.
Come on, you guys, hop in the cars. l'll be right back.
- Yeah, we made it. - You just let me know.
Here, Sarah, put this around you.
Michael. Michael!
Here you go. And a blanket.
Hey, Hollis, you got one for me?
Here's one for you. l'll be right back.
Do you believe we're really doing this?
lt's so dark down there.
On second thought, l think l'm gonna stay right up here.
Oh, no, you don't. lf l'm going down there, baby,
- you're going with me. - Oh, great.
Hey, hold on, everybody. Here we go.
Keep your hands inside.
And pass me that beer.
All right.
Come on, pass a couple up this way.
- Where's the lantern? - Right here. You just stick with me.
Whoo-hoo!
Down she goes.
Hold on. Get ready to stop.
Hey, Hollis, pass me a beer. Want one, Mike?
How far down does it go?
300 miles deep.
- Come on, Sarah. - Here you go.
You're down here every night?
Wow.
Oh, little bit of a free ride. There we go.
Stops all by itself.
Yeah, l hope you kids enjoyed yourself, 'cause we're going right back up.
Oh, that was great, Hollis.
- Let's do it again. - Howard usually walks.
Oh, let's do it again, Hollis. Come on.
Hey, where does that go?
Oh, that leads to an abandoned part.
We don't go down there anymore.
- Oh, take us on a tour, Hollis. - Yeah.
Yeah, let's show them around.
All right. All right.
Just because we're here. Come on.
Keep those blankets wrapped around you.
- You're gonna get chilly. - Okay, honey.
lt's cold.
All right, boys and girls, this is called a tipple.
So that's a tipple.
This is also called a tipple.
- Hey, Howard, come on! - Coming!
- Hey, Howard, come on! - l'm coming!
l just heard something. Probably some rats.
Rats! You never told me there were rats.
This is the old engine room.
Oh, uh-huh.
Boy, what a nice view back here.
Howard.
Hey, Hollis.
We'll meet you in 10 minutes over at the main shaft.
All right. No longer. We're going straight up.
lt's pretty dark.
How do you like my pad, huh?
lt's okay.
l can't believe you work here.
Yep.
- He's in there! - What is it?
What's the matter?
He's in there. He's in there.
What's going on? What's going on?
Dead. He-- he--
- What are you talking about? - He killed her.
What are you talking about?
Dave is dead!
No! No!
No!
TJ, it's Sylvia. Somebody's killed her.
lt's Harry Warden. He's here!
Everybody get the fuck out!
Go! Go! Go!
Come on, come on!
Son of a bitch must have cut the phone lines.
Okay, now listen. l want you to make sure
that everybody gets out of here.
And l want you to get the chief
and tell him to get here and fast.
Now go!
Sarah, she's in the mine with the others.
What?
Her, Hollis and Patty.
They took the railcars down there.
They're in the mine right now. We gotta get them out.
That's where that crazy guy probably is. Look, he'll kill them!
l'm gonna get her out.
Come on. Come on!
Go! Go!
Come on.
lf anything happens to Sarah, it'll be your fault.
You never should have let them go down there.
Damn it, let's just worry about getting them out.
l'll take the abandoned section,
you take the level above.
We'll meet in the main shaft by the elevator.
Hope to God we get there before Harry does.
Good luck.
Where is he?
l don't know.
Boo!
Gotcha.
Damn you, Hollis. Where the hell were you?
l thought you were right behind me.
You must have gone down the wrong tunnel.
Oh, sure we did. You did that on purpose.
Me? Come on.
Okay.
Watch your head.
Watch your step as well.
This is the oldest part of the mine.
Oh, God!
These tunnels were built in the early 1800s.
- Really? - Yeah, it's all abandoned now.
Ooh.
We haven't worked down here in years. Not since...
Harry Warden.
Howard, what do you think you're trying to do, you jerk?
Easy, l've got a hangover.
Boy, did you guys jump!
- Howard! - Ha-ha-ha!
Oh, Howard, you goof.
- Get down out of there. - l'll go the other way.
- For Pete's sake. - l know what l'm doing.
Oh, God, you guys.
Come on. Hold it.
Oh, that feels so good.
- Okay. - Okay.
- Get your light. - All right. Okay.
- Okay? - Yeah.
- You all right? - Come on.
Get down!
Now stick with us and quit clowning around.
Come on! l was just having a little bit of fun.
Yeah yeah, sure.
Hey, you guys, where's Mike and Harriet?
Maybe Harry Warden got them.
Stop it.
Howard, come along and behave yourself.
Yeah, let's go.
My blanket!
Oh, come on, you'd forget your head
if it wasn't tied on with rope. Let's go.
Come on, it's freezing down here.
Hey, who's leading this tour?
Well, go ahead if you want.
l feel so good.
So do l.
Where are we going now, Hollis?
Oh, this leads to the main shaft. We're going up.
How come the walls are so white around here, Hollis?
l told you. lt's lime powder.
They put it here to contain explosions
and they put it on the wood so it doesn't get dry and crack.
Hey, you guys,
how come Mike and Harriet haven't come back yet?
Uh-oh.
What's that?
l thought l heard something.
Look, it's probably only rats.
That ain't no rat.
Come on, let's go find Mike and Harriet
and get out of here.
- Come on! - Coming.
Tommy Whitcomb, what the hell's the matter with you, anyway?
Where's your brains? How many times have l told you--
Chief, listen to me. You have to go to the mine.
We were having a party and Harry Warden started killing everybody!
Harry Warden?
Harry Warden is at the mine.
There's a bunch of kids trapped down below.
Axel and TJ are trying to get them out.
He killed Sylvia and Dave!
All right. Get back in that car and get home and stay put.
Go on!
- Mobile One in. - Go ahead, Chief.
Yeah, Ben, call the mayor right away,
then round up every available man.
Meet me back at the mine.
l think there's some kids trapped down below.
Out.
Howard, would you get up in front?
l'm trying to get up in front!
- Ow! - l can't even see.
- Watch your head. - Just stay beside me.
- Okay. - Michael!
Mike!
Why don't they answer us?
- Stavinski! - Mike!
We never should have left them in the first place.
Maybe they're down there.
- Jesus! - TJ.
What the hell are you trying to do?
- Are you all right? - Yes.
Yeah, we're fine. What's the matter with you?
We gotta get the hell out of here.
Harry Warden is back.
He's killed Sylvia and Dave up top.
Are you kidding?
Harry's dead. Harry died a long time ago.
Will you shut up and listen to me, goddamn it!
Now they're dead and he's down here somewhere.
lf you wanna get out of here alive,
you do exactly as l tell you.
What are we gonna do?
This better not be your idea of a joke, TJ.
Do l look like l'm joking?
Come on. Let's go.
Wait a minute. Now what about Mike and Harriet?
Last time l saw them, they were in the engine room.
You check the main shaft.
l'll take tunnel six and meet you there.
Howard, you stay with the girls and wait for Axel.
- Me? - Stay with Howard.
- No, Hollis, please! - Stay back!
Hollis! Wait a minute!
Howard, you watch the girls!
l don't even know my way around.
Oh, shit.
Michael?
Harriet?
Michael and Harriet, this isn't anytime to be doing anything.
Oh! Oh, Jesus!
No.
Oh, God, Hollis!
Oh, Hollis!
Oh, God, Hollis.
Oh.
Oh, it's not--
Oh, please, God.
Come on. He's dead.
He's dead! Come on!
- Come on! - Patty, come on.
Come on, he's dead. Now come on.
- Patty! - No.
Howard, you bastard!
He's dead. Now come on.
You can't leave us like this!
Patty, please. Help me.
No!
Leave him alone.
- Let go of me. - No.
Patty, we need the light, damn it!
Okay, come on, Patty. Don't do this to me.
We have to get out of here.
No!
Stop it!
Okay okay, come on.
Oh, my God.
Where are the others?
We saw him. He was standing right there.
Harry Warden's down here.
Come on, let's go.
- Come on. - No!
Let's go! Come on!
Where the hell is TJ?
He went looking for Mike and Harriet.
He told us to stay here.
Now come on. The cage is right up ahead.
Let's go!
Keep moving. You're gonna be fine.
- Axel, please! No! - Hold on.
Oh, let go of me.
l don't want to leave him there.
- Shh. Shh. - Let's go back and get him.
l don't want to--
oh, please, Axel, no.
Patty, stop it!
l don't want to leave him there.
You'll be fine. You're gonna be just fine.
Oh, God, where are you taking us?
Keep moving. We're almost there. We're almost there.
Keep moving. You're doing fine. You're doing fine.
That's it.
God, where are we going?
l can't make it anymore.
Shut up. Yes, you can.
Come on. Let's go.
- l can't! - Let's go.
Shit.
lt's TJ.
Aw, shit!
What the fuck do you think you're doing?
l'm sorry, man. l thought you were Harry.
Do l look like Harry? Where's Howard?
- He ran off. - Oh, that jerk!
He's never gonna find his way out of here alone.
Hollis is dead.
Look, we gotta get Sarah and Patty up top,
get some help and come back for the others.
- Come on. - Okay, let's go.
Come on. Come on. Let's get going.
Okay.
Mobile One, come in.
Mobile One.
Come in, Mobile One.
Watch your step.
Okay. l can't even see.
We're almost there.
Shh! Keep your voices down.
- Come on. - Shh!
Please, hurry.
Shh! Keep your voices down.
He smashed the control panel.
There's no way we're getting out of here.
What?
What are we gonna do?
Climb.
- Come on. - No.
Come on.
Watch your footing now.
Axel, please slow down.
Patty, you're okay. l'm right behind you.
Keep going.
Come on. Come on. Don't look down.
Keep looking up.
Patty, just do as he says, and you'll be fine.
l promise.
l don't want to go any further.
Please, can we stop and go another way?
There's no other way. Now move it, damn it!
Axel, you'll have to go slower.
l'm right behind her. She keeps stopping.
Go slower, okay?
Oh!
l'm scared of heights, you guys.
l'm not going any further.
l'm stopping right here.
Sarah, Sarah. Give her a hand.
Now l'm behind you.
l'm right behind you. Come on.
Okay. Okay. Stay close.
Okay, l'm right behind you.
Attagirl. Keep moving.
Good girl.
Come down. Come down, quick. Down.
Don't look.
Don't look at him. Come on.
Patty, over here.
Now he's up top.
That bastard's really playing games with us.
We can beat him if we can get to the rail cars.
Then, come on. l know a shortcut through the sump.
lt's over there.
Watch your step.
Come on.
Come on. Come on. Nice and slow.
Let's go. Let's go. Slowly.
TJ, take the girls over
and give me a yell when you're across.
Okay.
Go.
Watch your head.
Watch your step.
Okay.
Okay, Axel, we're clear. Come on over.
Axel?
Axel!
TJ, do something.
There's nothing l can do.
lt's 60-feet deep.
Gosh!
We've got to get out of here.
We can't just leave him here.
Move it!
lt's too late for Axel.
Come on.
Okay, you just hug along the left side of the wall.
Now just keep going. Go on. Continue.
- But why-- - Just do as he says.
TJ?
Answer us!
TJ!
- He's-- - Shh!
Let's go this way.
Come on. Go.
Careful.
Shh!
Okay, there's gotta be some way out of here.
- Yeah. - Come on, keep going.
This way.
Come on.
- They're down there? - Yeah.
Sarah! Sarah!
Oh, TJ.
Thank God.
Shh!
Come on.
TJ?
lt's okay. l just got hit.
Come on. We've got to hurry.
The elevator isn't working.
We're gonna have to go in this way. Let's go.
Jump.
TJ!
All right, watch this thing coming.
Oh my God.
Sarah, move it!
Get in. Get in!
Watch out!
Axel.
Why?
Go.
Come on.
He's in there.
Are you two all right?
lt isn't Harry Warden.
Yeah. l know, TJ.
l got a call from Easftield late this evening.
They said that Harry Warden died five years ago.
But then who is it?
lt's Axel.
Oh my God.
Okay. Well, you...
My God, it was on Valentine's Day
that Harry Warden killed Axel's father.
- Let's get in there. - Yeah.
Come on. Let's get it off. Get it off.
He's alive!
- My God. - Sarah!
Oh, my God! Oh!
Sarah!
TJ, l have to see him.
Axel.
Why?
Help me, please.
Hanniger, l'll be waiting in hell for you!
Harry? Harry, l'm coming.
This whole fucking town is going to die!
We're coming back, you bastards!
Sarah, be my bloody Valentine.